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Warszawskie studia w prywatnej pracowni Wojciecha Gersona oraz w Klasie Rysunkowej kontynuowa\u0142 w akademii monachijskiej, m.in. pod okiem Wilhelma Lindenschmidta m\u0142. Wraz z J\u00f3zefem Che\u0142mo\u0144skim, Adamem Chmielowskim i Stanis\u0142awem Witkiewiczem wsp\u00f3\u0142tworzy\u0142 kr\u0105g artyst\u00f3w zwi\u0105zanych z tzw. pracowni\u0105 w Hotelu Europejskim w Warszawie. W latach 1877\u20131879 by\u0142 r\u00f3wnie\u017c uczniem Jana Matejki. Wiele lat sp\u0119dzi\u0142 za granic\u0105 \u2013 m.in. w Pary\u017cu oraz na Ba\u0142kanach. Uprawia\u0142 przede wszystkim malarstwo o tematyce batalistycznej oraz rodzajowej.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EKompozycja rodzajowa zatytu\u0142owana \u003Cem\u003EWesele idzie\u003C\/em\u003E powsta\u0142a w czasie pobytu Piotrowskiego w Krakowie. Przedstawia weselny poch\u00f3d podkrakowskich ch\u0142op\u00f3w, rozgrywaj\u0105cy si\u0119 w zimowej, ma\u0142omiasteczkowej scenerii. Barwny orszak tworz\u0105 kobiety i m\u0119\u017cczy\u017ani w ludowych strojach. Kobiety nosz\u0105 bia\u0142e koszule, wyszywane gorsety, suto marszczone sp\u00f3dnice i zapaski oraz ciep\u0142e, kwieciste jupki lub narzucone na ramiona kraciaste chusty. Ozdob\u0119 szyi stanowi\u0105 sznury korali. G\u0142owy m\u0119\u017catek zdobi\u0105 bia\u0142e, haftowane chusty. M\u0119\u017cczy\u017ani przyodziani s\u0105 w bia\u0142e sukmany z czerwonymi obszyciami, na g\u0142owach nosz\u0105 czerwone rogatywki z pawim pi\u00f3rem lub czarne, filcowe kapelusze zwane celendrami. W\u015br\u00f3d t\u0142umu wyr\u00f3\u017cnia si\u0119 uj\u0119ta bokiem m\u0142oda para oraz wiejski muzyk przygrywaj\u0105cy na basetli.\u0026#160; Weselnikom przypatruje si\u0119 m\u0142oda kobieta w prostym, miejskim stroju \u2013 zapewne s\u0142u\u017c\u0105ca. Uj\u0119ta z ch\u0142odnym obiektywizmem scena jest jednym z najciekawszych dzie\u0142 w dorobku artystycznym Piotrowskiego.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EAleksandra Krypczyk-De Barra\u003C\/p\u003E","author":"Krypczyk-De Barra Aleksandra","copyright":null,"event":null,"position":null}],"bibliography":[{"id":20599,"text":"Halina Blak, Barbara Ma\u0142kiewicz, El\u017cbieta Wojta\u0142owa, \u003Cspan class=\u0022bibliography-title\u0022\u003ENowoczesne malarstwo polskie. Katalog zbior\u00f3w. Cz. 1, Malarstwo polskie XIX wieku\u003C\/span\u003E, Krak\u00f3w: Muzeum Narodowe w Krakowie, 2001, s. 248, poz. 678.","permalink":null},{"id":21704,"text":"\u003Cspan class=\u0022bibliography-title\u0022\u003EIllustrowany katalog obraz\u00f3w i rze\u017ab w. 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