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U Jego n\u00f3g le\u017cy Magda Magdalena z rozpuszczonym z\u0142ocistymi w\u0142osami. Po prawej, nad g\u0142ow\u0105 Zbawiciela kl\u0119czy Matka Boska, kt\u00f3rej r\u0119k\u0119 podtrzymuje \u015bw. Jan. Obok niej, na belce powalonego krzy\u017ca przysiad\u0142 J\u00f3zef z Arymatei. W g\u0142\u0119bi po prawej liczna rzesza ludzi pragn\u0105cych zbli\u017cy\u0107 si\u0119 do martwego Chrystusa. Po lewej widoczny fragment n\u00f3g ukrzy\u017cowanego \u0142otra. W dali zabudowania Jerozolimy. Niebo przes\u0142oni\u0119te ciemnymi, o\u0142owianymi chmurami.\u003C\/p\u003E","publicDescriptions":[{"text":"\u003Cp\u003EJ\u00f3zef Unierzyski (1863\u20131947) po\u0142\u0105czy\u0142 w tw\u00f3rczo\u015bci umiej\u0119tno\u015bci wyniesione ze studi\u00f3w w Scuola Libera przy rzymskiej Akademii Sztuk Pi\u0119knych z naukami, kt\u00f3re pobiera\u0142 w krakowskiej Szkole Sztuk Pi\u0119knych u Jana Matejki \u2013 notabene swojego te\u015bcia. Mimo, \u017ce \u017cy\u0142 i tworzy\u0142 w prze\u0142omowym okresie dla sztuki polskiej, na zawsze pozosta\u0142 wierny swoim idea\u0142om artystycznym, opartym na wzorach w\u0142oskich \u2013 ich klasycznej prostocie formy i spokoju kompozycji \u2013 podbudowanym matejkowsk\u0105 idealizacj\u0105. Z tych \u017ar\u00f3de\u0142 wynika\u0142o r\u00f3wnie\u017c jego zami\u0142owanie do temat\u00f3w religijnych.\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u003Cem\u003EZdj\u0119cie z krzy\u017ca\u003C\/em\u003E\u003Cem\u003E,\u003C\/em\u003E malowane w 1887 roku i nale\u017c\u0105ce jeszcze do m\u0142odzie\u0144czej tw\u00f3rczo\u015bci Unierzyskiego, jest uwa\u017cane za jego najlepsze, najbardziej stylowe i efektowne dzie\u0142o, kt\u00f3re \u2013 jak pisano \u2013 \u201ew\u015br\u00f3d szarej i do\u015b\u0107 ja\u0142owej produkcji malarskiej w owych latach [\u2026] musia\u0142o sta\u0107 si\u0119 zdarzeniem w stosunkach malarskich Krakowa. Krytyka wpad\u0142a w zachwyt, mistrz Matejko z zadowoleniem przy\u015bwiadcza\u0142, \u017ce dzie\u0142o tak og\u00f3lnym przyj\u0119te aplauzem wysz\u0142o z jego majsterszuli\u201d.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EUnierzyski z akademick\u0105 poprawno\u015bci\u0105 rysunku i kompozycji przedstawi\u0142 scen\u0119, w kt\u00f3rej Jezus zosta\u0142 ju\u017c zdj\u0119ty z krzy\u017ca i le\u017cy na bia\u0142ym ca\u0142unie \u2013 podobnie jak w scenach przedstawiaj\u0105cych op\u0142akiwanie. W obrazie zwraca uwag\u0119 nastr\u00f3j \u0142\u0105cz\u0105cy harmoni\u0119, spok\u00f3j i sentyment, z odpowiednim akcentem dramatyczno\u015bci uzyskanej poprzez nieco przesadn\u0105 teatralno\u015b\u0107 gest\u00f3w.\u003C\/p\u003E\r\n\r\n\u003Cp\u003EUrszula Kozakowska-Zaucha\u003C\/p\u003E","author":"Kozakowska-Zaucha Urszula","copyright":null,"event":null,"position":null}],"bibliography":[{"id":21704,"text":"\u003Cspan class=\u0022bibliography-title\u0022\u003EIllustrowany katalog obraz\u00f3w i rze\u017ab w. 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