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Odrysowan\u0105 z lustrzanego odbicia wyn\u0119dznia\u0142\u0105 twarz modeluje \u015bwiat\u0142o padaj\u0105ce z boku wydobywaj\u0105c osadzone g\u0142\u0119boko w oczodo\u0142ach rozszerzone \u017arenice malarza wpatrzone przed siebie. Wizerunek ten zdaje si\u0119 by\u0107 ilustracj\u0105 s\u0142\u00f3w ci\u0119\u017cko chorego artysty, kt\u00f3re napisa\u0142 w 26 kwietnia 1905 w li\u015bcie do bliskiego znajomego Stanis\u0142awa Lacka: \u201eCzy (Panu) w oczy kiedy \u015bmier\u0107 zajrza\u0142a? \u2014 \/ mnie ona w oczy patrzy co dzie\u0144, \/ z wszystkiego jej przegl\u0105da chwa\u0142a; \/ w jej \u015bwiecie chwil\u0119 t\u0119 przechodzie\u0144 \u2014\u0026#160; \/ m\u0142odo\u015b\u0107, co gwiazdy zapala\u0142a \u2014 gdy dzi\u015b te gwiazdy wko\u0142o \u015bwiec\u0105, \/ zda si\u0119, \u017ce widz\u0119, w przepa\u015b\u0107 lec\u0105... (\u2026)\u201d\u003Ca href=\u0022#_ftn2\u0022 name=\u0022_ftnref2\u0022 title=\u0022\u0022\u003E[2]\u003C\/a\u003E.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003ETen intymny portret, pozbawiony estetyzacji i teatralno\u015bci, sprawia wra\u017cenie bezpo\u015bredniego obcowania ze \u015bmierci\u0105. To obraz stanu Wyspia\u0144skiego w przeddzie\u0144 \u015bmierci, kt\u00f3rej nadej\u015bcia by\u0142 ca\u0142kowicie \u015bwiadom. O czasie tym pisa\u0142 we wspomnieniach 3 grudnia 1907 roku noblista, polski pisarz W\u0142adys\u0142aw Stanis\u0142aw Reymont: \u201eWidzia\u0142em go po raz ostatni w pocz\u0105tkach pa\u017adziernika, w jeden z takich dojrza\u0142ych i z\u0142otych, jak k\u0142os pszeniczny, dni jesieni, kiedy pola spracowane, puste i osnute paj\u0119czyn\u0105, le\u017ca\u0142y w \u015bwi\u0119tej zadumie nowych poczyna\u0144, a martwiej\u0105ce drzewa roni\u0142y ostatnie, krwawe li\u015bcie. Le\u017ca\u0142 w \u0142\u00f3\u017cku ob\u0142o\u017cony korektami i ksi\u0105\u017ckami. By\u0142em z L. Staffem, przyj\u0105\u0142 nas serdecznie, po przyjacielsku. Usiad\u0142 z trudem, wygl\u0105da\u0142 strasznie, podobien by\u0142 do Piotrowina, mia\u0142 twarz zapad\u0142\u0105, poczernia\u0142\u0105 i wysch\u0142\u0105, praw\u0105 r\u0119k\u0119 w banda\u017cach, a lew\u0105 w\u0142ada\u0142 tylko cz\u0119\u015bciowo, g\u0142os obcy, niewyra\u017any, a tylko oczy by\u0142y jeszcze dawne, oczy jasnoniebieskie, w\u0142adcze i m\u0105dre, oczy pe\u0142ne b\u0142yskawic i woli nieugi\u0119tej, hetmanie oczy walki. Nie mog\u0142em m\u00f3wi\u0107, pora\u017cony groz\u0105 jego twarzy. Czu\u0142em, \u017ce on ju\u017c z trudem d\u017awiga w\u0142asnego trupa (\u2026)\u201d\u003Ca href=\u0022#_ftn3\u0022 name=\u0022_ftnref3\u0022 title=\u0022\u0022\u003E[3]\u003C\/a\u003E.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003EJeden z najwybitniejszych monografist\u00f3w Wyspia\u0144skiego, Zdzis\u0142aw K\u0119pi\u0144ski, tak opisa\u0142 omawiane dzie\u0142o: \u201e(\u2026) Ten, kt\u00f3ry tak uporczywie g\u0142osi\u0142 has\u0142o: \u201eUmiera\u0107 musi co ma \u017cy\u0107!\u201d \u2013 ten, co kaza\u0142 podnosi\u0107 z grobowc\u00f3w przera\u017caj\u0105cym szcz\u0105tkom cia\u0142 ongi\u015b kr\u00f3lewskich \u2013 sam teraz stan\u0105\u0142 u progu swej alternatywy, sam spojrza\u0142 na siebie jako na upiora, w kt\u00f3rym dezintegracja zaczyna swe dzie\u0142o. (\u2026) Pod wzgl\u0119dem plastycznym rysunek jest tak kapitalnie, zwi\u0119\u017ale, a zarazem bogato modelowany, tak drga \u015bwiat\u0142ami i tak pozostaje nieomylny we wszystkich na poz\u00f3r gwa\u0142townych i nieskoordynowanych odruchach o\u0142\u00f3wka, \u017ce patrz\u0119 na\u0144 zawsze z tym przekonaniem, \u017ce jest to najwy\u017csze i najdoskonalsze z dzie\u0142 Stanis\u0142awa Wyspia\u0144skiego\u201d\u003Ca href=\u0022#_ftn4\u0022 name=\u0022_ftnref4\u0022 title=\u0022\u0022\u003E[4]\u003C\/a\u003E.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003EMagdalena Laskowska\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003EBibliografia:\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003ESkrudlik 1911 - Mieczys\u0142aw Skrudlik, \u003Cem\u003EPortrety w\u0142asne Stanis\u0142awa Wyspia\u0144skiego\u003C\/em\u003E, \u201eKrytyka, miesi\u0119cznik po\u015bwi\u0119cony sprawom spo\u0142ecznym, nauce i sztuce\u201d, R. 13, 1911, T. 32, s. 324.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003EWyka 1970 - Kazimierz Wyka, \u003Cem\u003EMam ten dar bowiem: patrz\u0119 si\u0119 inaczej\u003C\/em\u003E, s. 3; \u201e\u017bycie Literackie\u201d, 7 II 1970, nr 941, s. 3\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003EReymont 1971 \u2013 W\u0142adys\u0142aw Stanis\u0142aw Reymont, \u003Cem\u003EOstatnie odwiedziny u Wyspia\u0144skiego,\u003C\/em\u003E\u003Cem\u003E \u003C\/em\u003Ew: \u003Cem\u003EWyspia\u0144ski w oczach wsp\u00f3\u0142czesnych\u003C\/em\u003E, t. 2, red. Leon P\u0142oszewski, Krak\u00f3w 1971, s. 457\u2013459\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp\u003E\u0026#160;\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u003Ca href=\u0022#_ftnref1\u0022 name=\u0022_ftn1\u0022 title=\u0022\u0022\u003E[1]\u003C\/a\u003E Skrudlik 1911, s. 324.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u003Ca href=\u0022#_ftnref2\u0022 name=\u0022_ftn2\u0022 title=\u0022\u0022\u003E[2]\u003C\/a\u003E Wyka 1970, s. 3.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u003Ca href=\u0022#_ftnref3\u0022 name=\u0022_ftn3\u0022 title=\u0022\u0022\u003E[3]\u003C\/a\u003E Reymont 1971, s. 457.\u003C\/p\u003E\r\n\r\n\u003Cp style=\u0022text-align:justify\u0022\u003E\u003Ca href=\u0022#_ftnref4\u0022 name=\u0022_ftn4\u0022 title=\u0022\u0022\u003E[4]\u003C\/a\u003E K\u0119pi\u0144ski 1984, s. 150.\u003C\/p\u003E","author":null,"copyright":null,"event":null,"position":null}],"bibliography":[{"id":21938,"text":"Stanis\u0142aw Przybyszewski, Tadeusz \u017buk-Skarszewski, Stanis\u0142aw \u015awierz, \u003Cspan class=\u0022bibliography-title\u0022\u003EStanis\u0142aw Wyspia\u0144ski. Dzie\u0142a malarskie\u003C\/span\u003E, Bydgoszcz : Instytut Wydawniczy \u0022Bibljoteka Polska\u0022 ; z inicjatywy i pod kier. Tow. Artyst\u00f3w Polskich \u0022Sztuka\u0022, 1925, s. 103, poz. 7, s. 71 il..","permalink":null},{"id":20212,"text":"\u003Cspan class=\u0022bibliography-title\u0022\u003EKoniec wieku. Sztuka polskiego modernizmu 1890-1914. Muzeum Narodowe w Warszawie, 15 XI 1996 - 26 I 1997, Muzeum Narodowe w Krakowie, 15 III 1997 - 15 V 1997. Katalog wystawy\u003C\/span\u003E, red. El\u017cbieta Charazi\u0144ska, \u0141ukasz Kossowski, Warszawa: Muzeum Narodowe w Warszawie, 1996, s. kat. XIII\/102, poz. 145.","permalink":null},{"id":20920,"text":"\u003Cspan class=\u0022bibliography-title\u0022\u003EObrazy \u015bmierci w sztuce polskiej XIX i XX wieku. Katalog wystawy w Muzeum Narodowym w Krakowie, wrzesie\u0144 - listopad 2000\u003C\/span\u003E, [Koncepcja Anna Kr\u00f3l ; red. Ewa Ry\u017cewska], Krak\u00f3w: Muzeum Narodowe w Krakowie, 2000, s. kat. II\/2-39, il. s. 160.","permalink":null},{"id":22028,"text":"\u003Cspan class=\u0022bibliography-title\u0022\u003EStanis\u0142aw Wyspia\u0144ski. Opus magnum\u003C\/span\u003E, Krak\u00f3w : Muzeum Narodowe w Krakowie, 2000, s. 271, X\/7, il.","permalink":null}],"bibliographyMNK":[],"participationEvents":[{"id":47098,"name":"Budowa infrastruktury digitalizacyjnej dla kultury w sieci - twa\u0142o\u015b\u0107 projektu","dateFrom":null,"dateTo":null,"comment":null,"contractors":[]},{"id":148509,"name":"Stanis\u0142aw Wyspia\u0144ski: Portraits","dateFrom":"2025-03-27","dateTo":"2025-07-13","comment":null,"contractors":[{"id":148508,"name":"The National Portrait Gallery"}]},{"id":129125,"name":"Skarbiec Wyspia\u0144skiego","dateFrom":"2019-10-11","dateTo":"2020-03-01","comment":null,"contractors":[{"id":9786,"name":"Muzeum Narodowe w Krakowie"}]},{"id":133741,"name":"Wyspia\u0144ski","dateFrom":"2017-11-28","dateTo":"2019-05-05","comment":null,"contractors":[{"id":9786,"name":"Muzeum Narodowe w Krakowie"}]},{"id":148360,"name":"\u0022Sami z\u0142o\u017cycie stos ...\u0022 Pogrzeb Stanis\u0142awa Wyspia\u0144skiego","dateFrom":"2008-01-16","dateTo":"2008-03-14","comment":null,"contractors":[{"id":9786,"name":"Muzeum Narodowe w Krakowie"}]}],"connections":[],"articles":[],"imageDesktop":null,"imageTablet":null,"imageMobile":null,"dialectalTerms":[],"programmesParticipation":[],"editionNumber":null,"wwwDescriptionSimplified":null,"wwwDescriptionAutism":null,"wwwDescriptionAd":null,"dimensionTextWithDuration":"wys. 20,7 cm, szer. 17,0 cm; w ramie: wys. 45,0 cm, szer. 35,2 cm, grub. 2,5 cm; waga: ci\u0119\u017car 1,8 kg (razem z ram\u0105 i szyb\u0105)","creditLine":null,"editionData":[],"dictionaryZoologicalSystematicsDTO":null,"rarity":null,"archeoPeriods":[],"theatricalItems":null,"archaeologicalSite":null,"catalogNumber":null,"specificDimensionDescription":null,"history":null,"originSignatures":null,"originSubtitles":null,"archetype":null,"watermarks":[],"issuers":[],"virtualExhibitionSlides":[],"originalCreateDate":null,"fillCardDate":null,"exhibitionLabelContent":null,"placeObject":null,"carrierDate":null,"transcription":null,"objectCardType":null,"duration":null,"objectCategory":[],"artworkPersons":[],"ageRating":null,"artworkLocations":[],"timerRanges":[],"chronologicalRecordingRanges":[],"eCollections":[],"objectTags":[],"camps":[],"createdAt":"2019-05-06 13:34:02","updatedAt":"2026-06-24 11:31:58","chronology":null,"ar":null,"zone":null,"room":null,"plotNumber":null,"plot":null,"quarter":null,"meter":null,"archeoExcavations":[],"archeoItems":[],"archeoLayers":[],"processingContractors":[],"reportCaseDate":null,"isImprintPresent":false,"copyEdition":null,"tracesOfUses":[],"printsCondition":[],"coinsCondition":[],"rulers":[],"mints":[],"imprints":[],"historicalExtraNumbers":[],"oldCreatorAttributions":[],"provenances":[],"precedentMuseumObjectId":null,"precedentInventoryNumber":null,"shareMuseumObjectMultimediaEnabled":false,"reserveExhibitionEnabled":false,"objectCardDownloadCount":1,"fullMultimediaDownloadCount":0,"archeoMap":{"longitude":null,"latitude":null},"publicationDate":null,"armsComments":null,"epigraphicPlateDecorations":null,"epigraphicPlateStateRate":null,"epigraphicPlateText":null,"epigraphicPlateTranslation":null,"genealogy":null,"sourcesAndLinks":null,"inscriptionFieldSizeAndFormHeight":null,"inscriptionFieldSizeAndFormWidth":null,"upperHelpPlateHeight":null,"upperHelpPlateWidth":null,"bottomHelpPlateHeight":null,"bottomHelpPlateWidth":null,"helpPlateSashHeight":null,"helpPlateSashWidth":null,"letterCase":null,"surnameLetterCase":null,"litteringType":null,"bottomHelpPlateForm":null,"helpPlateSashForm":null,"inscriptionFieldSizeAndFormForm":null,"upperHelpPlateForm":null,"arms":[],"typeOfWriting":null,"epigraphicPlateNumberAccordingToPlan":null,"filmmakers":[],"filmCasts":[],"brandModels":[],"genres":[],"filmStockTypes":[],"filmWidths":[],"literaryBasis":null,"premiereDateComment":null,"filmLength":null,"filmRollNumber":null,"annotation":null,"journalIssueNumber":null,"orderOfRelease":null,"publicationAddress":null,"series":null,"signatures":null,"documentType":null,"eventPlace":null,"eventType":null,"exhibitionCurator":null,"projectAuthor":null,"publicationType":null,"publisherName":null,"publicationDateFrom":null,"publicationDateTo":null,"eventYear":null,"associatedCreators":[],"standardizedNumber":null,"publicationYear":null,"publicationLanguage":null,"notes":null},"status":200,"message":null}